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CERQUOZZI, Michelangelo Doubting Thomas (nn03) oil painting


Doubting Thomas (nn03)
Painting ID::  23266
CERQUOZZI, Michelangelo
Doubting Thomas (nn03)
1599 Oil on canvas 107 x 146 cm 42 1/4 x 57 1/2 in Stifung Schlosser und Garten Potsdam-Sanssouci,Potsdam

   
   
     

CERQUOZZI, Michelangelo The Linen Carder oil painting


The Linen Carder
Painting ID::  29992
CERQUOZZI, Michelangelo
The Linen Carder
mk67 Oil on slate 8 1/4x9 1/16in Pitti,Palatine Gallery

   
   
     

CERQUOZZI, Michelangelo Street Scene in Rome oil painting


Street Scene in Rome
Painting ID::  43827
CERQUOZZI, Michelangelo
Street Scene in Rome
Oil on canvas, 58 x 69 cm

   
   
     

CERQUOZZI, Michelangelo Figures in a Tree-lined Avenue oil painting


Figures in a Tree-lined Avenue
Painting ID::  51204
CERQUOZZI, Michelangelo
Figures in a Tree-lined Avenue
1640s Oil on canvas

   
   
     

CERQUOZZI, Michelangelo The creation of Adam oil painting


The creation of Adam
Painting ID::  56820
CERQUOZZI, Michelangelo
The creation of Adam
mk250 Vatican City Sunday Sith extension of the top rock paintings, the year 1511-1512, the frescoes, about 569 x 279.4 cm.

   
   
     

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     CERQUOZZI, Michelangelo
     Italian Baroque Era Painter, ca.1602-1660 Italian painter. He was a painter of bambocciate (low-life subjects), battles, small religious and mythological works and still-lifes. He was born of Roman parents, baptized in the parish of S Lorenzo in Lucina and spent his entire life in his native city. A member of the Accademia di S Luca since 1634, Cerquozzi attended meetings of the society as late as 1652. His friends included Domenico Viola, Pietro da Cortona and Giacinto Brandi. More significant were his associations with foreign residents in Rome. According to Baldinucci, Cerquozzi had special affection for the Spanish, owing to the patronage he received from the major-domo of the Spanish Embassy as a youth, and would often don Spanish attire as a sign of his sentiment. His Spanish connections may partly account for the many commissions he later received from patrons identified with Rome's pro-Spanish political faction (Haskell). Cerquozzi enjoyed equally good rapport with northern European residents of Rome. He is documented as having quartered with artists from beyond the Alps, including Paulus Bor and Cornelis Bloemaert, for the bulk of his career.

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